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‘Guillermo del Toro’s Pinocchio’ review: Big picture, big themes

Every “Pinocchio” is some wonderstruck filmmaker’s hope that their carved, sculpted and painted version of Italian author Carlo Collodi’s 140-year-old story about a manufactured boy will be accepted as a real movie someday. (Roberto Benigni and Disney have each tried twice.) Are we surprised, then, that Oscar-winner Guillermo del Toro — the closest thing genre …

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